The main character Oothoon in The Visions of the Daughters of Albion is a liberation figure challenging not only male chauvinism and marriage but the institution of slavery and imperialism in general. The female protagonist Oothoon, a sex slave who is raped by the slave driver Bromion, is clearly made to represent both the fertile,Continue reading “Blake’s “Visions of the Daughters of Albion””
William Blake’s Songs of Innocence is often thought of as the lighter, happier of the two collections of poems known as the Songs, the other of course being its polar opposite—the Songs of Experience. Upon the first reading of the text this proves to be superficially true, in that the Innocence songs are more uplifting.Continue reading “William Blake’s “Songs of Innocence” & “Songs of Experience””
I am sick to death of all these idiots comparing Stalin to Hitler and Nazis to Marxist-Leninists. It is time to face facts: comparing Communists with Nazis is objectively pro-fascist. It is completely unrealistic and only helps out the other side, including the fascists, Nazis, reactionaries and monarchs. It only assists them in whitewashing andContinue reading “Communism & Fascism: Same Thing?”
A modernist exercise in capitalist angst, T.S. Eliot’s famous masterpiece “The Love Song of J. Alfred Prufrock” at once exposes the crumbling of bourgeois society and the utter disintegration of its culture as a meaningful epoch. Considered by many to be the first modernist poem, its verses certainly carve out a splendid picture of the isolation and contempt for the status quo that marks modernist and postmodernist literature. More than that, it illustrates the emptiness and superficiality of class society through the middle-class male persona of the narrator, who is kept nameless but is presumably Eliot himself speaking through a fictional character.
The sense of being lost begins with the quotation at the beginning of the poem. Translated, it reads: “If I thought my answer were to one who could ever return to the world, this flame would move no more; but since no one has ever returned alive from this depth, if what I hear be true, without fear of infamy I answer you.” The quote, which comes from Dante’s Divine Comedy, is originally spoken by a lost soul in hell. This gives quite a first impression of the emotions to come from the main body of the poem.
In the first stanza, when the narrator asks a person, presumably a woman, to accompany him on a stroll through the streets of downtown, already the man’s thoughts have drifted to the decay of class society. He describes “half-deserted streets,” “restless nights in one-night cheap hotels,” and “streets that follow like a tedious argument/ of insidious intent.”