There are those who say that Marxism-Leninism is dogmatic and is not present on the world stage. There are those who say that parties that uphold the line of Enver Hoxha are no more than internet communists. These people are idiots.
CHITWAN, Nepal — In a major step forward in Nepal’s tortured peace process, Maoist political leaders on Saturday formally relinquished control of their 19,000-member army to a special governmental committee. At a ceremony held about 110 miles from the capital, Katmandu, Pushpa Kamal Dahal, chairman of the Unified Communist Party of Nepal (Maoist) signed aContinue reading “Nepal’s Maoists: Surrender is “Undogmatic””
From the EMEP, the legal wing of the Revolutionary Communist Party of Turkey
We’re here for celebrating the 100th birthday of Enver Hoxha. He was the resolute defender of proletarian socialism, the leader of the International Communist Movement and of the anti-revisionist struggle, the great friend of the oppressed peoples and the architect of the revolution and socialist construction in Albania.
After the 22 years of his dead, we must talk about his struggle to build socialism in Albania and help to the international workers’ movement. We don’t need to compliment him, but we need to introduce him to the new generations. Because, his struggle against all types of revisionism, such as Kruschevism, Titoism and Euro Communism; his resistance to defend Marxism-Leninism; and his estimation on the imperialist strategies of the Soviet Union have great importance.
According to those who claim to understand Marxism but do not, in other words those that claim to understand Marxism the loudest, Marx dealt with reality like “cold, dead matter.” Of course, the authors of these theories have to resort to resolutions so flimsy that they can be seen through like glass, such as thisContinue reading “Crisis Theory According to Marx”
A modernist exercise in capitalist angst, T.S. Eliot’s famous masterpiece “The Love Song of J. Alfred Prufrock” at once exposes the crumbling of bourgeois society and the utter disintegration of its culture as a meaningful epoch. Considered by many to be the first modernist poem, its verses certainly carve out a splendid picture of the isolation and contempt for the status quo that marks modernist and postmodernist literature. More than that, it illustrates the emptiness and superficiality of class society through the middle-class male persona of the narrator, who is kept nameless but is presumably Eliot himself speaking through a fictional character.
The sense of being lost begins with the quotation at the beginning of the poem. Translated, it reads: “If I thought my answer were to one who could ever return to the world, this flame would move no more; but since no one has ever returned alive from this depth, if what I hear be true, without fear of infamy I answer you.” The quote, which comes from Dante’s Divine Comedy, is originally spoken by a lost soul in hell. This gives quite a first impression of the emotions to come from the main body of the poem.
In the first stanza, when the narrator asks a person, presumably a woman, to accompany him on a stroll through the streets of downtown, already the man’s thoughts have drifted to the decay of class society. He describes “half-deserted streets,” “restless nights in one-night cheap hotels,” and “streets that follow like a tedious argument/ of insidious intent.”